![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Motivation is a bit of a struggle at the moment but in odd ways. Its as if my priorities have been altered. The upshot is that just recently I'm not writing about as many books as I would normally do. Of course, some that I read go "straight to shelf" but others are sitting there making me feel guilty. So lets try the short sharp shock treatment.
Ellen Datlow's anthology The Del Rey Book of Science Fiction and Fantasy certainly shows the editor's preference for stories where style and atmosphere are emphasised compared to story or character. Although a couple of the writers tried to emphasise everything and ended up with muddled work, the rest of it was top notch. But a warning to editors - re-read your opening blurb notes if you re-order the stories. You may give away an unintended hint about your editorial thinking. (Edit: or not - see comments)
Strange Itineraries by Tim Powers shows two things. That the author is much better at longer works than short stories and that the author is obviously aware of this because he does not write many of them. Or possibly cause and effect are the other way around.
The Dragon Waiting by John M Ford is an alternate history. What it showed me is that I know next to nothing about that period of English or European history - I think 15th century, but that is just a guess which shows how little I now. Even in an alternate universe that is a big drawback when trying to get into the book. Especially when that book is very plot-rich - there was a lot of re-reading to try to keep track of what was going on.
Ellen Datlow's anthology The Del Rey Book of Science Fiction and Fantasy certainly shows the editor's preference for stories where style and atmosphere are emphasised compared to story or character. Although a couple of the writers tried to emphasise everything and ended up with muddled work, the rest of it was top notch. But a warning to editors - re-read your opening blurb notes if you re-order the stories. You may give away an unintended hint about your editorial thinking. (Edit: or not - see comments)
Strange Itineraries by Tim Powers shows two things. That the author is much better at longer works than short stories and that the author is obviously aware of this because he does not write many of them. Or possibly cause and effect are the other way around.
The Dragon Waiting by John M Ford is an alternate history. What it showed me is that I know next to nothing about that period of English or European history - I think 15th century, but that is just a guess which shows how little I now. Even in an alternate universe that is a big drawback when trying to get into the book. Especially when that book is very plot-rich - there was a lot of re-reading to try to keep track of what was going on.
no subject
Date: 2008-08-24 06:08 am (UTC)Both of us being English, the majority of the history mentioned was taught to us from as early as primary school, so it all used to be common knowledge to English people. :) UK schools used to be much better than NZ ones. For instance, I was studying geography, history, Latin and French at ten, and it was just a common primary school, nothing fancy.
no subject
Date: 2008-08-24 06:16 am (UTC)I found myself enjoying The Dragon Waiting more and more as I got further into it and finally got to grips with the setting (with a little help from Wikipedia).
no subject
Date: 2008-08-24 06:26 am (UTC)Both of us being English...
Umm, I feel slightly uncomfortable challenging your memory seeing as I don't even know you, but are you sure about that? The original 'Critical Mass' columns in White Dwarf were by Dave Langford. And I'm pretty sure John M Ford was American.
---Mark
no subject
Date: 2008-08-25 12:11 am (UTC)I'm not sure why I made the connection in my mind, I'm thinking now maybe because I first saw The Dragon Rising reviewed in that column and it was Dave I was talking to about it.
no subject
Date: 2008-08-28 06:47 am (UTC)Oddly, they share a birthday (10 April) although somehow I doubt that was what you were thinking of.
---Mark
no subject
Date: 2008-08-24 06:14 am (UTC)no subject
Date: 2008-08-24 06:24 am (UTC)no subject
Date: 2008-08-24 08:03 am (UTC)I enjoyed The Dragon Waiting, but it could certainly have done with a little more explanation. I think it depends quite a bit on familiarity with the standard, Shakespearean, Richard III narrative so that Fords can be contrasted with it. But I thought it could have done with more explanation generally - I have heard it described as a 400 page book that wants to be an 800 page book.
no subject
Date: 2008-08-24 08:22 am (UTC)I've never seen, let alone studied Shakespeare's Richard III - I did wonder if the book may relate to the play, but my ignorance was complete.
no subject
Date: 2008-08-24 11:54 am (UTC)no subject
Date: 2008-08-24 08:08 pm (UTC)no subject
Date: 2008-08-25 02:05 pm (UTC)Hmm. Not sure what you mean by this: "But a warning to editors - re-read your opening blurb notes if you re-order the stories. You may give away an unintended hint about your editorial thinking." If it's referring to my first bio (Jason Stoddard) then you just didn't read the bio carefully. If not, please do let me know. I certainly would want to know if I made an error, particularly considering the stories never re-ordered once I made the decision as to where to put them in the book.
no subject
Date: 2008-08-25 08:03 pm (UTC)I don't have the book in front of me to check, but as I recall, I was just referring to "another alternate history" as part of the description of the first story. As you say, I may have misread or misremembered but that suggested to me that it had originally been later in the collection and moved forward. Not a biggie, but I was looking for something different to write about.
no subject
Date: 2008-08-25 08:09 pm (UTC)no subject
Date: 2008-08-25 08:15 pm (UTC)no subject
Date: 2008-08-25 08:24 pm (UTC)